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supported by 59 fans who also own “LAST WISH | Live at LIQUIDROOM Tokyo”
It's like being swept on a transcendent journey, where the soaring melodies lift you into a realm of pure escape, embodying a sense of flying away from the mundane. Each note weaves a tapestry of eternal sorrow and compassion, an exquisite balance of sadness and joy that echoes the complex emotions of life itself.
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supported by 55 fans who also own “LAST WISH | Live at LIQUIDROOM Tokyo”
I remember staying jaw-dropping for a minute or two after listening to "Meet Us Where The Night Ends" in the first place... OMG..Reminds me of the best Sigur Ros, but way better. Unbelievable MONO
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supported by 47 fans who also own “LAST WISH | Live at LIQUIDROOM Tokyo”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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The Seattle band work around the edges of shoegaze and dream pop with a rare sense of clarity and momentum.
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Every Bird Ever [Album]
by Ilithios
The new record from Brooklyn indie group Ilithios is full of big-hearted songs with the hooks to match.
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This Could Be Texas
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The UK upstarts' debut veers from sunny, psychedelic folk to bristling post-punk with reckless abandon without ever missing a beat.
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supported by 44 fans who also own “LAST WISH | Live at LIQUIDROOM Tokyo”
If you have never heard 'Mono' (shame on you) this is as good a place to begin as any. A magisterial delicacy, souls skipping stones across the Phlegethon; the thrumming echoes of broken heartstrings, and the dissonant collapsing of thunderheads all -sometimes- within one track. Enjoy!
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